Solo Works
Legends
Available for purchase now on sheetmusicdirect.com, Legends is a 3-movement piano sonata in C# minor that tells the tragic tale of two lovers cursed by the Greek god Poseidon. The first movement depicts the journey of the first lover, a semi-mortal demigod who sets out on a quest to challenge Poseidon for control of the seas. He loses the battle and is cursed to remain lost at sea forever, caught in a vortex with enough strength to swim forever, but not enough to escape. The second movement depicts his mortal human lover, who remains on land. As time continues, the lover grows concerned; they don't know when—or if—their beloved will return. After months have passed, the human decides to go on a quest of their own to find their beloved. The human learns of the demigod's fate, and must make a choice: To live the rest of their life in solitude, separated from the one they love—or to jump into the vortex and doom both of them. The third movement depicts this choice; the human decides to be selfish, and cherish one last moment with the demigod before they both sink to the bottom of the ocean and die in each other's arms.
Completed as the final project of my Counterpoint course in college, this fugue for solo piano is based loosely on Bach's Little Fugue in Gm
This quirky solo piano work incorporates 5/8 bars amongst 6/8 meter to give the impression of "missing" or "negative" beats.
Written for my college roommate, this funky study for solo oboe explores 7/8 and 8/8 meter.
This short, single-movement composition for solo violin without accompaniment is a reflection on loneliness & isolation.
This waltz for solo piano was written to express a feeling that I struggle to put into words, but often describe as "floating".
Written as a melancholy reflection on quarantine, this work for solo piano expresses what I couldn't put into words.
I composed this work for solo piano while I was crying, as a reflection on homesickness. It's dedicated to my sister.
This work for solo bassoon was composed in 2019 for my friend Sara Kolaritch. Its first theme also makes an appearance my double harp concerto, Concerto Celestia.
A deviation away from my typically more melancholy writing style, this sonata for solo piano aims to draw to mind a rainbow after a thunderstorm.
Originally titled "Finn's Serenade", this etude was composed in 2019 as a practice exercise for my student Finn.